light in window opposite unmade
yellow and blue bed
motionless black branches above
fence in foreground
called in the first place, assume
that one can move
evident, leaving surface, mirror
two expressions of
man across table recalling James
McCracken’s Otello
woman waking in middle of night
thinks of Desdemona
yellow red orange of clouds above
shoulder of ridge
shadowed white line of wave
breaking across channel
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