first grey light in sky above still dark
building, vertical edge of wall in upper
left foreground, sound of cars in street
composition, sky at the top
took the place of eye
itself consequence, of such
referring to a hidden
green glass wall against bright blue sky,
sunlit silver of building across from it
Stephen,
ReplyDeleteIt is a wonderful tribute to the persistence of your method that the datum surrenders to it without argument even as the landscape shifts. Bravo.
But poetry remains glad you have come home to the original ground of the composition, that base upon which all variation is founded and to which, as if inevitably (can human things ever really be inevitable?), things must and do return... in order to go on.