5.31

light coming into clouds above still shadowed ridge

first birds chirping on branches in left foreground

“place” as mere position, present “here” of what is

which just happened, path above, same kind of thing

telephone answers a kind of retrograde Taylor Cecil

Cecil Taylor exactly the same space for each letter

grey whiteness of clouds above still shadowed ridge

white line of wave breaking across mouth of channel

5.30

light coming into fog against top of shadowed ridge

sound of wind moving through branches in foreground

between arrival and point of departure, the feeling

of anatomy, say thousands of points of view, forgot

idea of body passing through space of optical image

physical awareness in relation to time and movement

grey whiteness of fog against top of shadowed ridge

white line of wave breaking across mouth of channel

5.29

light coming into fog against top of shadowed ridge

unseen towhee calling from field in left foreground

association with Japanese prints, to wonder whether

what has been, everything in view, form of physical

who might be so thoughtful as to let these at least

become the question of temporal spatial field there

grey whiteness of fog against top of shadowed ridge

line of pelicans flapping to the right toward point

5.28

grey whiteness of fog against top of shadowed ridge

quail standing on redwood fence in right foreground

another which let to word not that everything, said

here at two ends, sustain circular motion, solution

the other stay-at-home dad who works odd jobs at 37

feeling free being spelled in cream-colored letters

light grey whiteness of fog above shoulder of ridge

shadowed white line of wave breaking across channel

5.27

light coming into clouds above still shadowed ridge

sound of bird chirping on branch in left foreground

condition in space “open” one, field permits one to

remain at rest, more than otherwise, position of it

hoping her end is all she needs for whatever begins

stillness out of which an event becomes perceptible

grey whiteness of clouds above still shadowed ridge

white line of wave breaking across mouth of channel

5.26

light coming into clouds above still shadowed ridge

crow on black pine branch in lower right foreground

which must be said, there speaks of what this means

could appear on one side, almost statement of, edge

Gertrude Stein speaking of her plays as “landscape”

can we be sure we are working in the same direction

light grey whiteness of sky above shoulder of ridge

shadowed white line of wave breaking across channel

5.25

light in window opposite unmade yellow and blue bed

sound of crow calling on branch in right foreground

one second authentic view of it, as far as distinct

was consecutive, dramatic point of view, faint idea

reading being in many ways a relation about hearing

some other beginning of thought remaining something

grey white fog against still invisible top of ridge

line of pelicans flapping to the right toward point

5.24

man waking from dream in unmade yellow and blue bed

college cutting foreign languages out of curriculum

apparent places there can be, paper in the “garden”

part sketched, another is not much, which has since

found bronze spinnaker shackle, title a translation

of the hieroglyphics on the base, “What Then Is It”

light grey whiteness of fog against invisible ridge

white line of wave breaking across mouth of channel

5.23

light coming into fog against still invisible ridge

shadowed sparrow on pine branch in right foreground

spatial concept painting, relations with follow one

of six hands, performance like thinking after which

Cage calling Rauschenberg White Paintings “airports

of light, shadows and particles,” after which 4’33”

grey whiteness of fog still against invisible ridge

white line of wave breaking across mouth of channel

5.22

grey whiteness of fog still against invisible ridge

blue jay landing on black pine branch in foreground

which of three dimensions if that one, field can be

a continuous line, arrive closed curve, last second

second occurrence of Gropius for example repetition

of Australian in whatever form it may be said to be

grey whiteness of fog against still invisible ridge

wingspan of tern circling across motionless channel

5.21

cloudless blue white sky above still shadowed ridge

white curve of moon below pine branch in foreground

but from invisible itself which is close to, enters

accumulation, touched and edged into, in this could

white and grey clouds made of water droplets points

to chance of afternoon thundershowers weather ahead

clouds in blue white sky across from shadowed ridge

line of pelicans gliding to the left toward channel

5.20

grey whiteness of fog against still invisible ridge

unseen towhee chirping on branch in left foreground

yesterday may well create feeling, no more than one

has done, was considered, as is sometimes even that

inner relations among these experienced in thinking

that might be so thoughtful as to let this at least

grey whiteness of fog still against invisible ridge

white line of wave breaking to the right of channel

5.19

cloudless blue white sky above still shadowed ridge

blue jay landing on pine branch in right foreground

corner of paper in frame, strokes in certain places

object set apart, against which, heard the word for

Trump pressing Comey for loyalty at dinner party in

January Director of F.B.I. promising only “Honesty”

cloudless blue white of sky above shoulder of ridge

white line of wave breaking across mouth of channel

5.18

diagonal pink line of cloud above still black ridge

sound of unseen towhee chirping in right foreground

measure by which to judge everything, has been said

drawing which visualizes, spatial depth, subject of

be that thou know’st thou art, and then thou art as

great as that thou fear’st, as Olivia says to Viola

pink cloud in pale blue sky above shoulder of ridge

waning white half moon above channel across from it

5.17

pink red edges of clouds above still shadowed ridge

motion of black pine branches in wind in foreground

conditions by an example, compare potential of form

in line, also when points coincide, one of two move

how chaos coming through when one acts out the play

transmutation of the work of words to work of stage

cloudless blue white sky above still shadowed ridge

white line of wave breaking across mouth of channel

5.16

light in window opposite unmade yellow and blue bed

song sparrow calling from pine branch in foreground

talk as inner voice, come from outside is closer to

after it, to see the same hand, way of doing things

whether or not characters can be realized in a play

pointing out how our observations interact in space

horizontal line of cloud above still shadowed ridge

wingspan of egret gliding to the right toward point

5.15

light coming into blue whiteness of sky above ridge

waning gibbous moon above rose branch in foreground

this from the event, what does not pass is the time

structure of bones, forms of muscles, four years of

ways we come to know what we know, or think we know

world at most here and there different than thought

cloudless blue sky above shadowed shoulder of ridge

white edge of morning moon to the left of the point

5.14

cloud in blue whiteness of sky above shadowed ridge

waning white moon next to rose branch in foreground

color a kind of portrait, signed corner of a garden

into the open, outside it the object, apart from it

looking forward to speaking with you before another

decade passes, our garden is doing well this summer

cloudless blue white of sky above shoulder of ridge

whiteness of waning moon above point across from it