4.30

light in window opposite unmade yellow and blue bed

sound of bird calling on branch in right foreground

way of bringing it about, possible in place we were

"in the shade, first" way arrived it seems, picture

which as a rhythm of its own order never internally

referential comes from its insistent sound by sound

cloudless blue sky above shadowed shoulder of ridge

two cormorants flapping to the right toward horizon

-->

4.29

cloudless blue sky white above still shadowed ridge

planet beside black pine branch in right foreground

frame painting white view cover image, inscribed to

object extends condition, which from that, relation

reading distance pieces on subway Sunday on the way

back and forth from last day of the show at the Met

light coming into cloudless blue of sky above ridge

white line of wave breaking across mouth of channel

4.28

first blue whiteness of sky above shoulder of ridge

unseen towhee chirping on rose branch in foreground

for one or more in order, might well apply to color

composition, sometimes as in etching, based on late

person behind her shoulder whose face isn’t visible

the other to her right who is a carpenter at thirty

cloudless blue sky above shadowed shoulder of ridge

white line of wave breaking to the right of channel

4.27

dream in unmade yellow and blue bed opposite window

man waking in 2 AM dark as left leg starts to cramp

system of field equations should one appear, should

when at rest relation to, located, so that is marks

whiteness of low line drive ball coming towards man

in left field followed by red marks on left forearm

pale orange of sky above shadowed shoulder of ridge

white line of wave breaking to the right of channel

4.26

pale blue grey plane of fog against invisible ridge

blue jay calling on pine branch in right foreground

word without which would, same range in relation to

hand-picked blues, harder and sharper than, moments

looking across table holding white cup of something

up to her mouth a feeling of being in the same room

blue whiteness of fog against still invisible ridge

white line of wave breaking across mouth of channel

4.25

grey whiteness of clouds above shadowed green ridge

towhee calling from rose branch in right foreground

hold at a distance action which unfolds, other than

whether possible, several examples, “such and such”

and so the question becomes “this is what happened,

how do we respond to it?” words as objective report

grey whiteness of sky reflected in plane of channel

wingspan of osprey flapping across toward the point

4.24

light coming into clouds above black plane of ridge

sound of bird chirping on rose branch in foreground

who often gave thought to present, even those shown

among those, things there turning into, function of

Bottom calling out “the woosel cock so black of hue

with orange tawny bill, the throstle with his note”

grey whiteness of clouds above still shadowed ridge

white line of wave breaking across mouth of channel

4.23

clouds in blue white sky above still shadowed ridge

birds chirping from shadowed branches in foreground

half of them having been, six or more variations of

knows how much is wanted, sense of, sometimes as in

every word stands in a series of possible relations

with all the others each of which in turn coincides

dark grey plane of cloud above still shadowed ridge

white curve of moon in pale blue sky across from it

4.22

pink red lines of clouds above still shadowed ridge

unseen bird calling from branch in right foreground

more complicated physical reasons to do so, not yet

form when at rest, viewed from motion, one of which

in calling it here, the call has called out to what

it calls a distance in which what is called remains

pale orange of sky above shadowed shoulder of ridge

white line of wave breaking across mouth of channel

4.21

pink red line of cloud in pale blue sky above ridge

red shouldered hawk calling on branch in foreground

sight of figure standing, witness to which would be

blue moment of this kind, see the point, allow line

listens to what is spoken, pictures to himself what

could be present in its presence, what naming calls

pale orange of sky above shadowed shoulder of ridge

white line of wave breaking across mouth of channel

4.20

light coming into blue whiteness of sky above ridge

waning moon across from pine branches in foreground

confusion of what removed past, accidents of memory

can be measured, constant degree, see whether these

which will not give in to some return regardless of

an absence of satisfaction inherent in that refusal

pale orange of sky above shadowed shoulder of ridge

waning white moon in bright blue sky across from it

4.19

light coming into clouds above still shadowed ridge

white half moon beside branches in right foreground

series of subjects letter sketches, other view from

among those, one is under on the other hand, rather

man walking up hill towards tree whose scent filled

pocket of air, below whose branches sun was setting

shadowed blackness of cloud above shoulder of ridge

waning white half moon in clouds to the right of it

4.18

waking from dream in the unmade yellow and blue bed

someone taking photographs of animal in green field

some of the above repeat, position of other version

front view, photograph of “eye” which show, form of

rust red trunk of tree at lower left corner of blue

man on left playing “Rondeau in Honor of Fragonard”

grey whiteness of fog against still invisible ridge

shadowed white wave breaking to the left or channel

4.17

grey whiteness of fog against still invisible ridge

unseen towhee chirping in field in right foreground

according to number four, field in a different view

matter figures, than that in what follows, physical

changes and disappearances on handmade paper, eight

copper plates cut out into sixty-six smaller plates

grey whiteness of fog still against invisible ridge

shadowed white line of wave breaking across channel

4.16

cloud moving to the left above black plane of ridge

four sparrows perched on feeder in right foreground

in what they are and how, features of figure appear

moments at hand, one face looking, in our direction

then either at the end of nine, the very end, or at

the beginning of ten, elsewhere in last three parts

grey whiteness of clouds above still shadowed ridge

whiteness of wave breaking across windblown channel

4.15

dream in unmade yellow and blue bed opposite window

something about eyes seeing green grasses on a hill

past only by unfolding it, according to perspective

when the object is, means of expression, would seem

everything present today being equally near and far

nearness concealing itself being the closest of all

reddish pink cloud above shadowed shoulder of ridge

waning gibbous moon in pale blue sky across from it

4.14

light coming into cloudless blue of sky above ridge

white circle of moon between branches in foreground

not that there is between one by, were based on and

in such way as to set up, more than plan, from them

modernist gestures towards objects, faceless people

crossing paths, patterns over all and flat language

pale orange of sky above shadowed shoulder of ridge

waning white moon in cloudless blue sky above point

4.13

shadowed grey clouds against invisible top of ridge

sound of birds chirping in field in left foreground

point that some have been touched, repeat positions

common variety, figure on its axis, suggests erotic

Hamlet open to “if it be now ‘tis not to come if it

be not to come it will be now if it be not now yet”

grey white rain cloud above shadowed green of ridge

white line of wave breaking across mouth of channel