5.31

grey whiteness of fog against invisible

ridge, hummingbird hovering above fence

in foreground, sound of wave in channel

effort of making this color,

having seemed another

think of numbers in physics,

form seems, distances

grey white of fog against top of ridge,

whiteness of gull standing on sandspit

5.30

grey whiteness of fog against invisible

ridge, red-tailed hawk calling in right

foreground, no sound of wave in channel

methods compared to subject,

what in this position

one will remember, who then

was passing, evidence

wingspan of osprey lifting from channel,

fog on horizon to the left of the point

5.29

horizontal line of light in fog against

top of ridge, crow flapping to the left

in foreground, no wave sound in channel

equation in which the place

denotes, depends upon

differentiation, line which

can be formed, simple

silver circle of sun in fog above ridge,

shadowed pine branch on tip of sandspit

5.28

light coming into sky above still black

ridge, crow flapping from left to right

in foreground, sound of wave in channel

things themselves, the view

"draws actions apart"

puts us closest, as viewers,

the distance in front

grey white of fog to the left of point,

circular green pine on tip of sandspit

5.27

grey whiteness of fog against invisible

top of ridge, crows calling from branch

in foreground, sound of wave in channel

which, in experience is not

a system of positions

no less than other, that is,

but remains unchanged

first light coming into sky above ridge,

still blackness of trees across from it

5.26

black of night sky above plane of black

ridge, black shape of black pine branch

in foreground, sound of wave in channel

relate to other color, same

material as the image

shadow, points to something

else, that this is so

sunlit white clouds in blue above ridge,

line of 4 pelicans gliding toward point

5.25

light coming into cloud above blackness

of ridge, unseen bird calling on branch

in foreground, wave sounding in channel

called soon became observed,

had no "modern voice"

but its opposite, reference

to person, particular

tree-lined green of ridge above channel,

cloudless blue sky to the left of point

5.24

light coming into sky above still black

ridge, song sparrow calling from branch

in foreground, wave sounding in channel

quantities to be determined

as function of, after

the line in the form, where,

following equation of

silver circle of sun rising above ridge,

line of 7 pelicans gliding toward point

5.23

light coming into sky above still black

plane of ridge, branches moving in wind

in foreground, sound of wave in channel

over which in this relation

dwells, a consequence

that is, thing that is like

that place, within it

first silver of sun rising above ridge,

line of pelicans flapping toward point

5.22

light coming into sky above still black

plane of ridge, quail calling Chi-ca-go

in foreground, sound of wave in channel

synthesis, in so far as one

from the other is one

so obvious, and immediately

noticeable, that even

silver of sunlight reflected in channel,

line of jet in pale blue sky on horizon

5.21

light coming into fog against invisible

plane of ridge, blue jay on pine branch

in foreground, wave sounding in channel

seems evident, relationship

made in blue and pink

not having been, think what

becomes, through this

silver edge of sun rising above ridge,

line of pelicans gliding toward point

5.20

light coming into sky above still black

ridge, shape of crow flapping from left

foreground, no sound of wave in channel

recent past, began painting

so that they appeared

intimate, one could not ask

for more, abstraction

cloudless blue sky reflected in channel,

shadowed green slope of ridge across it

5.19

light coming into sky above still black

ridge, song sparrow calling from branch

in foreground, wave sounding in channel

in place of these, this way

expressed in terms of

length of the arc, measured

line, where following

silver of sunlight reflected in channel,

cloudless blue sky to the left of point

5.18

light coming into sky above still black

ridge, curve of moon across from branch

in foreground, sound of wave in channel

as well as relation of both

to one another, which

material structure, between

closed forms, picture

silver of sunlight reflected in channel,

shadowed green slope of ridge across it

5.17

light coming into fog against invisible

top of ridge, robin calling from branch

in foreground, sound of wave in channel

A lapses into A' on the one

hand, a point in time

the interior, positive side

of something, but not

grey white of fog reflected in channel,

cormorant flapping across toward point

2.16

light coming into fog against invisible

ridge, black shape of black pine branch

in foreground, wave sounding in channel

relations of tones to color,

"combination of tones"

picture in relation to what

is, to be, world view

white circle of sun in fog above ridge,

cormorant flapping across toward point

5.15

light coming into fog against invisible

ridge, song sparrow calling from branch

in foreground, wave sounding in channel

human figure, that painting

something became more

like approximation, remains,

stages between bodies

grey white of fog against top of ridge,

shadowed green pine on tip of sandspit

5.14

grey whiteness of fog against invisible

top of ridge, quails calling from field

in foreground, sound of wave in channel

where extended space, field

is chosen arbitrarily

from point to a line, since

from part, it follows

grey white of fog against top of ridge,

pelican flapping to the left toward it

5.13

grey whiteness of fog against invisible

top of ridge, towhee calling from field

in foreground, sound of wave in channel

light withdraws its clarity,

darkening over things

physical, evidence of sense,

such a thing as space

grey white of fog against top of ridge,

cormorant flapping across toward point

5.12

light coming into fog against invisible

ridge, song sparrow calling from branch

in foreground, wave sounding in channel

all that it is itself which,

while had also become

exterior, transitory, those

words went a long way

cloudless blue sky reflected in channel,

sunlit green shoulder of ridge above it

5.11

first grey light in sky above blackness

of ridge, waning white moon in branches

in foreground, wave sounding in channel

facial features articulated

in graphite, position

word "picture," relation to

that which is, in its

silver of sunlight reflected in channel,

whiteness of moon in cloudless blue sky

5.10

first grey light in sky above blackness

of ridge, waning white moon by branches

in foreground, wave sounding in channel

compared to which, position

the figure determined

sitting up, a ripened plant,

small head on a stalk

grey white of fog against top of ridge,

shadowed green pine on tip of sandspit

5.9

light coming into fog against invisible

ridge, sparrow calling from pine branch

in foreground, wave sounding in channel

only in so far as is, right

side of last equation

of surface as well as lines,

given, as function of

grey white fog against invisible ridge,

circular green pine on tip of sandspit

5.8

light coming into fog against invisible

ridge, song sparrow calling from branch

in foreground, sound of wave in channel

or standing in front of sun,

brightness of the sky

outside moving toward place,

between us, the eye's

silver edge of sun rising above ridge,

white circle of moon in pale blue sky

5.7

light coming into sky above still black

ridge, white circle of moon by branches

in foreground, wave sounding in channel

on the way, continuous soon

means to no longer be

not, after a few days began

to get shorter, later

silver of sunlight reflected in channel,

cloudless blue sky to the left of point