7.31

light coming into fog against invisible

ridge, blackness of pine branch in left

foreground, no sound of wave in channel

space for lines, the initial

contrast between ground

to be, approaching beginning,

what is toward thinking

grey-white of fog reflected in channel,

wingspan of cormorant flapping over it

7.30

light coming into fog against invisible

top of ridge, blue jay calling in right

foreground, no sound of wave in channel

paintings being nevertheless

physical stages, period

for example, "anything" flat,

area of its limit forms

grey-white of fog reflected in channel,

whiteness of gull gliding toward ridge

7.29

grey whiteness of fog against invisible

ridge, song sparrow calling from branch

in foreground, sound of wave in channel

presence of field, analogous

to dimension of surface

equal to its mass, suspended

system, inertia of that

grey-white of fog reflected in channel,

wingspan of tern circling up across it

7.28

grey whiteness of fog above still black

ridge, red-tailed hawk calling in right

foreground, no sound of wave in channel

to which thinking would mean

that, not only opposite

of "what happens next," that

is, but repeated moment

grey-white of fog against top of ridge,

circular green pine on tip of sandspit

7.27

grey whiteness of fog against invisible

top of ridge, blue jay landing on fence

in foreground, sound of wave in channel

object before it turns black

or blue, but in fact is

sometimes both, this example

of another, between two

grey-white of fog against top of ridge,

wingspan of pelican flapping toward it

7.26

grey whiteness of fog against invisible

ridge, shadowed green black pine branch

in foreground, sound of wave in channel

painting based on color, how

sketch to which the sky

also remains concealed, that

is referred to, "nature"

grey-white of fog reflected in channel,

line of pelicans flapping toward ridge

7.25

grey whiteness of fog against invisible

ridge, red-tailed hawk calling in right

foreground, no sound of wave in channel

physical part of the present,

even when it was called

this point, that coincidence,

flattened color support

grey-white of fog reflected in channel,

cormorant flapping across toward point

7.24

grey whiteness of fog against invisible

top of ridge, sparrow landing on branch

in foreground, sound of wave in channel

field of force, acceleration

of space-time continuum

equivalence of systems, mass

equal to mass, which is

grey-white of fog reflected in channel,

wingspan of tern flapping across ridge

7.23

grey whiteness of fog against invisible

top of ridge, blue jay landing on fence

in foreground, sound of wave in channel

name that conceals, sense of

related to other way of

difference, present as human

action, tone of shadows

grey-white of fog against top of ridge,

cormorant flapping across toward point

7.22

grey whiteness of fog against invisible

ridge, quail calling from field in left

foreground, no sound of wave in channel

action, explored as original

ways of positing object

which likewise, in principle,

thought first came from

grey-white of fog against top of ridge,

wingspan of gull flapping toward point

7.21

grey whiteness of fog against invisible

ridge, song sparrow calling from branch

in foreground, sound of wave in channel

collection of drawings, that

present enclosed sketch

as what shows itself appears,

unconcealed, in a sense

grey-white of fog against top of ridge,

gull gliding to the ridge toward point

7.20

first grey light in fog against invisible

ridge, blue jay calling from pine branch

in foreground, sound of wave in channel

isolated as has been claimed,

recognize the beginning

chosen to be about the other,

under discussion, plane

blue-white of sky reflected in channel,

wingspan of gull flapping toward point

7.19

first grey light in fog against invisible

ridge, shadowed blackness of pine branch

in foreground, wave sounding in channel

equivalence, also considered

as system at rest which

has gone, conveyed therefore

to increase mass, merge

grey-white of fog against top of ridge,

pelican gliding to the right toward it

7.18

grey whiteness of fog against invisible

ridge, blue jay standing on pine branch

in foreground, sound of wave in channel

that thing to be experienced,

a manner of concealment

as interpretation, has to do

with movement, "you see"

grey-white of fog against top of ridge,

wingspan of pelican flapping toward it

7.17

grey whiteness of fog against invisible

ridge, red-tailed hawk calling in right

foreground, no sound of wave in channel

once thought, the perceiving

subject ceases to think

theoretical work comes about,

a synthesis, researches

grey-white of fog reflected in channel,

line of pelicans flapping toward ridge

7.16

grey whiteness of fog against invisible

ridge, towhee calling chweeeee in right

foreground, no sound of wave in channel

sketch included in letter to,

on paper watermarked by

comes to presence, therefore,

as unconcealed is still

cloudless blue sky reflected in channel,

sunlit white of osprey circling into it

7.15

first grey light in sky above black plane

of ridge, silver of planet beside branch

in foreground, sound of wave in channel

in the world that took place,

circumstances prevented

the eye, viewer who looks at,

distinction compared to

sunlight slanting across fog on ridge,

whiteness of egret flapping toward it

7.14

grey whiteness of fog against invisible

top of shadowed ridge, sparrows calling

in foreground, wave sounding in channel

that space and time, defined

with respect to inertia

transferred from body, there

changed, is simply that

grey-white of fog against top of ridge,

wingspan of tern flapping toward point